Ad Infinitum (1994) reflects visual experience in the United States. The images stem from wrappers, cups, flyers, and other detritus found on my walks to work. It is no accident that the placement of this trash on a video monitor calls to mind commericial television. The film is structured by a progression (regression?) of techniques, marking time with eye candy, fluid transformations, and the reduction of all symbolic expression to promotion. The film's production coincided with Republican movements in Congress to abolish government support for the arts and public broadcasting.

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